Sosoren is a Japanese manga written by Yoshinori Kobayashi. It was a bestseller in 1998 and is a nationalist retelling of Japan’s history during World War II. It defends Japan’s position in the war and critiques modern Japanese society, stating that problems in Japanese society right now have their root in the American occupation after the war. It also attempts to justify Japan’s actions in China, such as the invasion of Nanjing and shift the blame for the incident away from Japanese soldiers.
Presenting this information in manga form was a good way to reach young readers. It is written in a more scholarly style than typical manga in order to make it appear more credible as a source of historical facts. While popular among the target auidence, it received a less accepting response from educators. Some universities responded to the book by offering seminars on wartime history to address its misconceptions.
Yoshinori Kobayshi was formerly a member of the Liberal Historiography Study Group, which was responsible for advocating textbook revisionism and some of his ideas displayed in the manga are closely linked with theirs.
Anti-Korean sentiment can be seen in Kenkanryu, which was published by Shinyusha Co. on July 26th, 2005. It’s sequal, Kenkanryu 2 was released Feburary 22nd, 2006. The title translated to “Hate the Korean Wave.” The books were released at least partially in response to a recent Korean pop culture wave in Japan, where Korean music and television dramas such as Winter Sonata became very popular.
The first book contains a debate between Japanese students and South Korean students at a university. It makes the claims that the Korean team had unfair advantages in the 2002 World Cup and that Korea as a country ultimately owes its success to Japanese colonialism.
There are two Korean manhwas released under the title Hyeomillyu– Hate the Japan Wave, in response to Kenkanryu.
Japanese nationalists are making their own movie about the Nanjing Massacre to counter other movies being produced about the subject recently. The planned title for the film is “The Truth of Nanjing” and it is being directed by Satoru Mizushima. A comittee of conservative scholars and politicians helped finance the movie’s production. References to the Nanjing Massacre have bee previously cut from Japanese school textbooks, and there were protests in China due to this. In this film, the claim is made that the number of those killed was far lower, that they were Chinese soldiers, not civilians, and that numbers were inflated due to Chinese propaganda. The war criminals depicted in the film are shown as sympathetic or heroic.
http://www.reuters.com/news/video?videoId=71453&newsChannel=entertainmentNews
From what I found, it seems that ideas about nationalism have become more visible recently, expecially among young people, due to the use of the internet as a means of communication about nationalist viewpoints. Overall, however, the mainstream media in Japan is not so nationalistic, for example, Kenkanryu’s author had trouble getting it published initially and it existed only in webcomic form for some time.